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Videos

Video.

Everybody Hates Chris

Chris Rock's hit television series brings comedy to HD with an all-digital workflow based on Final Cut Pro and Color. Watch now

Everybody Hates Chris

Everybody Hates Chris

Chris Rock's hit television series brings comedy to HD with an all-digital workflow based on Final Cut Pro and Color.

Catch the new season Fridays on the CW, 8pm/7pm Central.

Video.

Euro RSCG

Euro RSCG uses Color to achieve a striking new look for Jaguar’s worldwide ad campaign. Watch now

Euro RSCG

Euro RSCG

Euro RSCG uses Color to achieve a striking new look for Jaguar’s worldwide ad campaign.

Video.

20th Century Fox

20th Century Fox is implementing an entirely new post-production workflow for feature films, using HD video. Watch now

20th Century Fox

20th Century Fox

20th Century Fox is implementing an all-digital post-production workflow with HD video at the center. This lets them bring more creative control into the editing room and add quality earlier in the production process.

Video.

@radical.media

By automating the production pipeline, a media company seamlessly connects team members all over the world. Watch now

@radical.media

@radical.media

@radical.media is a media company that produces feature films, television programs, and commercials. For a recent project, they used technology to coordinate teams in China, New York, and Los Angeles — without skipping a beat.

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Full Sail University

Full Sail University is training the next generation of filmmakers on the same tools they’ll use after graduation. Watch now

Full Sail University

Full Sail University

Students at Full Sail University pursue a passion for working in the film and video industry. They gain a competitive edge by learning to use the same tools they’re expected to use in the professional world.

Video.

Coen Brothers

The Coen brothers discuss the importance of color grading in creating the distinctive look of their films. Watch now

Coen Brothers

Coen Brothers

For Joel and Ethan Coen, color grading is a creative tool — like music — that helps them shape the character of a film. Digital color grading allows them to begin adjusting color with the very first shots.

Video.

BBC

The BBC continues to lead the digital production revolution by moving to a fully tapeless “creative desktop.” Watch now

BBC

BBC

The BBC is at the forefront of the digital production revolution. As these visionaries move to a fully tapeless infrastructure, they are implementing a “creative desktop” that lets them put the focus on talent, not technology.

Video.

Miranda July

An independent filmmaker edits a feature film with complete freedom to experiment as she works. Watch now

Miranda July

Miranda July

Independent filmmaker Miranda July is able to express her creativity in the edit room without being hindered by the technical process. The freedom to experiment allows her to shape her story as she works.

Articles

Button

Benjamin Button

Director David Fincher delivers his biggest film yet using Final Cut Studio. Learn more

Leverage

Electric Entertainment

Producing TV heist series "Leverage" is an inside job with Final Cut Studio. Learn more

Ballast

Ballast

Sundance 2008 "Best Director" Lance Hammer goes Mac-to-market with Final Cut Pro. Read More

AKQA

AKQA

The global interactive ad agency makes content king, courtesy of Final Cut. Read More

Traitor

Traitor

Editor Billy Fox cuts a clean line through the complex plot of Traitor. Read More

X-Files

X-Files: I Want to Believe

Film editor Richard Harris cuts to the Truth on Final Cut Studio. Read More

Live from Abbey Road

Live from Abbey Road

The legendary London recording studio uses Final Cut Studio to bring music to the masses. Read More

MediaStorm

MediaStorm

Founder Brian Storm describes how Final Cut Studio provides the tools for groundbreaking multimedia journalism. Read More

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