Article Archive
Ballast
Sundance 2008 "Best Director" Lance Hammer goes Mac-to-market with Final Cut Pro. Read More
AKQA
The global interactive ad agency makes content king, courtesy of Final Cut. Read More
Traitor
Editor Billy Fox cuts a clean line through the complex plot of Traitor. Read More
X-Files: I Want to Believe
Film editor Richard Harris cuts to the Truth on Final Cut Studio. Read More
Live from Abbey Road
The legendary London recording studio uses Final Cut Studio to bring music to the masses. Read More
MediaStorm
Founder Brian Storm describes how Final Cut Studio provides the tools for groundbreaking multimedia journalism. Read More
Rough Draft Studios
Learn how the cutting-edge animation studio behind The Simpsons and Futurama relies on Final Cut… Read More
The Tracey Fragments
Director Bruce McDonald describes the making of his dazzling, multi-frame film, edited entirely… Read More
Drew Wharton
Equipped with a MacBook Pro and Final Cut Studio, filmmaker Drew Wharton dives into a… Read More
Coppola/Murch
After a ten-year hiatus, director Francis Ford Coppola returns with a new kind of film — edited by… Read More
XL Video
For video-forward musical artists XL Video comes up big, delivering super-sized effects and… Read More
Dorna Sports
To cover MotoGP racing for a speed-mad worldwide audience, media company Dorna Sports cuts to… Read More
Scripps Networks
Scripps Networks creates their show graphics soup-to-nuts on Macs and pro apps… Read More
Rick Sammon & David Leveen
Photographer Rick Sammon and editor David Leveen used Aperture, Keynote, and Final Cut Pro to… Read More
Karin Fong
Karin Fong of design firm Imaginary Forces created over-the-top media effects for the new Wynn… Read More
Jake Kasdan
In his new feature film, "The TV Set," director Jake Kasdan takes a funny but uncompromising… Read More
South Park Studios
Keeping it fresh is critical at long-running Comedy Central favorite South Park, featuring… Read More
